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The Grandest Madison Square Garden

Art, Scandal, and Architecture in Gilded Age New York

ebook
1 of 1 copy available
1 of 1 copy available

November 1891, the heart of Gilded Age Manhattan. Thousands filled the streets surrounding Madison Square, fingers pointing, mouths agape. After countless struggles, Stanford White—the country's most celebrated architect was about to dedicate America's tallest tower, the final cap set atop his Madison Square Garden, the country's grandest new palace of pleasure. Amid a flood of electric light and fireworks, the gilded figure topping the tower was suddenly revealed—an eighteen-foot nude sculpture of Diana, the Roman Virgin Goddess of the Hunt, created by Augustus Saint-Gaudens, the country's finest sculptor and White's dearest pal.
The Grandest Madison Square Garden tells the remarkable story behind the construction of the second, 1890, Madison Square Garden and the controversial sculpture that crowned it. Set amid the magnificent achievements of nineteenth-century American art and architecture, the book delves into the fascinating private lives of the era's most prominent architect and sculptor and the nature of their intimate relationship. Hinman shows how both men pushed the boundaries of America's parochial aesthetic, ushering in an era of art that embraced European styles with American vitality. Situating the Garden's seminal place in the history of New York City, as well as the entire country, The Grandest Madison Square Garden brings to life a tale of architecture, art, and spectacle amid the elegant yet scandal-ridden culture of Gotham's decadent era.

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    • Library Journal

      Starred review from May 1, 2019

      Art historian Hinman tells the story of New York City's second Madison Square Garden entertainment complex, which opened in 1890. Her central figures are architect Stanford White (1854-1906) and sculptor Augustus Saint-Gaudens (1848-1907), with White's trendsetting firm of McKim, Mead & White designing the Italian Renaissance-style "pleasure palace," its arena, exhibition hall, theater, concert hall, and restaurant boasting the world's largest indoor space and the city's tallest tower. To crown the tower dome, Saint-Gaudens produced a weather vane in the form of the gilded goddess Diana. The narrative delves into contemporary art, architecture, construction, and show business, depicting White and Saint-Gaudens as talented, influential, and controversial. Hinman reports that though both were married with children, they allegedly participated in a bisexual demimonde that included the exploitation of young models. White was famously shot dead at the Garden by an aggrieved husband of one of those models. The venue, though well-established as a landmark and cultural hub, consistently lost money and was demolished in 1925. VERDICT Hinman observes the complex lives of her subjects with assurance in this accessible study that will appeal to readers interested in late 19th-century American architecture and sculpture, New York City, and LGBTQ history.--David R. Conn, formerly with Surrey Libs., BC

      Copyright 2019 Library Journal, LLC Used with permission.

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  • English

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