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Red Hot Mama

The Life of Sophie Tucker

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1 of 1 copy available
1 of 1 copy available

The "First Lady of Show Business" and the "Last of the Red Hot Mamas," Sophie Tucker was a star in vaudeville, radio, film, and television. A gutsy, song-belting stage performer, she entertained audiences for sixty years and inspired a host of younger women, including Judy Garland, Carol Channing, and Bette Midler. Tucker was a woman who defied traditional expectations and achieved success on her own terms, becoming the first female president of the American Federation of Actors and winning many other honors usually bestowed on men. Dedicated to social justice, she advocated for African Americans in the entertainment industry and cultivated friendships with leading black activists and performers. Tucker was also one of the most generous philanthropists in show business, raising over four million dollars for the religious and racial causes she held dear.

Drawing from the hundreds of scrapbooks Tucker compiled, Red Hot Mama presents a compelling biography of this larger-than-life performer. Lauren Rebecca Sklaroff tells an engrossing story of how a daughter of Russian Jewish immigrants set her sights on becoming one of the most formidable women in show business and achieved her version of the American dream. More than most of her contemporaries, Tucker understood how to keep her act fresh, to change branding when audiences grew tired and, most importantly, how to connect with her fans, the press, and entertainment moguls. Both deservedly famous and unjustly forgotten today, Tucker stands out as an exemplar of the immigrant experience and a trailblazer for women in the entertainment industry.

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    • Library Journal

      March 15, 2018

      Sophie Tucker, the most famous, prolific, and commercially successful female yiddishe performer in entertainment history, finally gets her critical and biographical due in noted American cultural historian and professor (Univ. of South Carolina) Sklaroff's academic but accessible text. Born Sonya Kalish (later Abuza) in 1886 to Russian Jewish immigrant parents, Tucker's incredible longevity as a singer, actress, comedian, and personality reached across six decades from 1907 to her death in 1966. Her legendary ability to adapt to shifting popular tastes and styles allowed her to thrive and star in every major medium of commercial entertainment from vaudeville to film. Just as noteworthy and inspiring to performers who followed was her ability to connect with audiences and not only cultivate but sustain a fervent fan base. In a heightened body-conscious industry, the zaftig Tucker reveled in her full-figure sexuality. Sklaroff assiduously researched the Tucker canon, including the 400 personally archived scrapbooks assembled during her career, and further highlights her extensive philanthropic activities and civil rights work. VERDICT Sklaroff does Tucker proud; this volume is a winner on every level that should find a well-deserved place in popular culture collections from the Borscht Belt to Tinseltown.--Barry X. Miller, Austin P.L., TX

      Copyright 2018 Library Journal, LLC Used with permission.

    • Kirkus

      February 1, 2018
      Bold and sassy, the legendary Sophie Tucker (1887-1966) influenced generations of women entertainers.In 1906, Tucker took her first paying job in a seedy New York nightclub, beginning a 60-year career that included vaudeville, radio, movies, and TV. In 1953, 1,500 people gathered at a Waldorf Astoria gala to honor her success: "Sophie Tucker is to show business what Eleanor Roosevelt is to politics," comedian Milton Berle remarked at the event. Sklaroff (History/Univ. of South Carolina; Black Culture and the New Deal: The Quest for Civil Rights in the Roosevelt Era, 2009) sensitively traces the unlikely rise of the daughter of Jewish immigrants, a woman who never fit the svelte body image of popular female entertainers and whose "sexual movements and provocative delivery" shocked some viewers. Tucker was determined to be a star: married with an infant son, she separated from her husband and left her son in the care of her 16-year-old sister. "I have decided I can do big things," she said. Once she began to earn money, she helped her family financially, but Sklaroff has no evidence that Tucker felt guilty about leaving. In fact, the author faces a considerable challenge in probing Tucker's feelings and motivations. She draws on Tucker's autobiography, published in 1945, which "contained little about her family," especially her son, and "did not reveal anything...that wasn't already part of public record in interviews and press reports." That material made its way into 400 scrapbooks that Tucker amassed, filled with clippings, programs, speeches, birthday cards, and sheet music. Sklaroff's portrait, then, is necessarily of the public woman, a much-acclaimed entertainer who chucked her early performances as a "Coon Shouter," wearing blackface, to become a glamorous, bespangled singer who, in 1952, was "listed among ten of the biggest nightclub 'money-makers, ' an elite group that also included Sinatra, Lena Horne, Dean Martin, and Jerry Lewis." She was also a generous philanthropist, mentor, outspoken supporter of African-Americans, and model for performers such as Ethel Merman and Bette Midler.An appreciative celebration of a dynamic entertainer.

      COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.

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